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Description

Careful considerations in designing and organizing information for restaurant point-of-sale (POS) systems can affect user experience. Unfortunately, usability guidelines are sparse for these systems. Applications from other studies, such as categorical organization and F-shape, are implemented in an experimental interface as a starting point of discussion. A control interface was

Careful considerations in designing and organizing information for restaurant point-of-sale (POS) systems can affect user experience. Unfortunately, usability guidelines are sparse for these systems. Applications from other studies, such as categorical organization and F-shape, are implemented in an experimental interface as a starting point of discussion. A control interface was designed after the default version of NCR Aloha’s POS program: Aloha Table Service. Novice and expert order taking strategies were also observed to compare input differences. This study examined selection time, total time, and selection accuracy across both order and interface types. The results show that time and number of key presses are significantly reduced under the treatment interface, and that teaching expert order taking strategies to novice users may help reduce cognitive load.

ContributorsWang, Cheryl Caresse (Author) / Branaghan, Russell (Contributor) / Cooke, Nancy (Degree committee member)
Created2016-05
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Description

The Mixtec pictorial manuscript, now known as the Codex Tonindeye, was stolen from an Italian monastery library in 1859. Several decades later, the Mexican American anthropologist Zelia Nuttall located the document after many years of searching. Determined to reinstate its historical identity, Nuttall closely studied the codex and reproduced it

The Mixtec pictorial manuscript, now known as the Codex Tonindeye, was stolen from an Italian monastery library in 1859. Several decades later, the Mexican American anthropologist Zelia Nuttall located the document after many years of searching. Determined to reinstate its historical identity, Nuttall closely studied the codex and reproduced it in a lush facsimile; it was named the Codex Nuttall (1902) in her honor. Using Nuttall’s correspondence with her publishers at the Peabody Museum, this article investigates the role of archives and museums in nineteenth-century textual scholarship, explores how Nuttall relocated the codex and labored over creating the facsimile, and addresses the ongoing importance of the document.

ContributorsValiant, Seonaid (Author)
Created2023-01-01