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Description

Academic libraries seek to engage people with information resources and maximize use of library spaces. When users increasingly rely on digital rather than print resources, libraries respond by shifting space usage from stacks to user working and reading spaces. How then do we, as academic library professionals, best keep print

Academic libraries seek to engage people with information resources and maximize use of library spaces. When users increasingly rely on digital rather than print resources, libraries respond by shifting space usage from stacks to user working and reading spaces. How then do we, as academic library professionals, best keep print collections on public view and maximize user engagement?

In this whitepaper, we focus on fostering engagement with print resources among\nlibrary users, particularly with open stack print collections and users within the local community. We advocate moving toward a more flexible, more user-focused service that makes library collections easier to understand and to use. Libraries need to work with their surrounding communities in the further development and presentation of their collections. We offer a flexible, a la carte approach to transforming open stack academic library print collection management. We have developed a three-tiered system of potential approaches and actions for academic libraries to foster engagement with their collections. We also include materials and tools to help guide individual libraries towards a data-driven approach to print curation that may be tailored to their local context. We hope that these approaches and tools aid academic libraries in helping users engage in meaningful dialogues with print resources.

As part of a $50,000 planning grant from the Andrew W. Mellon Foundation, the analysis is aimed at fostering engagement with print resources among library users, particularly with open stack print collections and users within the local community. "The Future of the Academic Library Print Collection: A Space for Engagement" explores a three-tiered system of potential approaches and actions for academic libraries to foster engagement with their collections, and includes materials and tools to help guide individual libraries towards a data-driven approach to print curation that may be tailored to their local context.

Created2017-10
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Description

A needs assessment based on students in recovery to build a Collegiate Recovery Program.

ContributorsGueci, Nika (Author)
Created2016-05-01
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Description

Qualitative research on student employees of a Collegiate Recovery Program.

ContributorsGueci, Nika (Author)
Created2017-04-01
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Description

PPT lecture and notes for Recovery 101 training.

ContributorsGueci, Nika (Author)
Created2016-08-01
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Description

Video.

ContributorsGueci, Nika (Author)
Created2017-04-01
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Description
Official announcement for the Mapping Grand Canyon Conference Map Competition. Students were invited to submit their original cartographic work to the 2019 Mapping Grand Canyon Student Map Competition. Three (3) categories of cartographic production were considered for this competition: Best Artistic Map, Best Data Driven (Static) Map, and Best Data

Official announcement for the Mapping Grand Canyon Conference Map Competition. Students were invited to submit their original cartographic work to the 2019 Mapping Grand Canyon Student Map Competition. Three (3) categories of cartographic production were considered for this competition: Best Artistic Map, Best Data Driven (Static) Map, and Best Data Driven (Dynamic). Details about the requirements for each category can be found on the Mapping Grand Canyon Conference Map Competition website.

In addition, Arizona State University partnered with the Arizona Geographic Information Council so students also had the option to automatically enter the 2019 AGIC Education & Training Symposium Maps & Apps Competition.

This is the second version with an extended deadline.
ContributorsSherwood, Jill (Designer)
Created2018-11
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DescriptionArizona Highways magazine's sampling of ten events commemorating the centennial of Grand Canyon National Park (1919-2019). The Mapping Grand Canyon Conference is listed among the featured events.

"Throughout 2019, Grand Canyon National Park and other locations are hosting special events to mark the park's centennial. Here are just some of them."
ContributorsNoah, Austin (Compiler) / Arizona Department of Transportation (Publisher)
Created2019-02
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Description
When renowned cartographer and mountaineer Brad Washburn visited the Grand Canyon in 1969, he discovered that existing maps of the area were "inadequate" for either popular or scholarly use. Never one to be deterred, Washburn set about making one. This is the story of his 7-year-long effort, done in close

When renowned cartographer and mountaineer Brad Washburn visited the Grand Canyon in 1969, he discovered that existing maps of the area were "inadequate" for either popular or scholarly use. Never one to be deterred, Washburn set about making one. This is the story of his 7-year-long effort, done in close collaboration with the National Geographic Society, Switzerland's Federal Office of Topography, and scores of supporting characters, to satisfy his desire to produce the best map of the canyon -- more precise, more detailed, more beautiful -- than anything that had come before.
ContributorsFry, Michael (Author, Speaker) / ASU Marketing Hub (Videographer)
Created2019-02-28
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Description
Shortly after the Grand Canyon became a national park in 1919, commercial artists began mapping the region for tourist audiences. Beginning around 1930, many of these maps used a cartoon style, populating the landscape with natural wonders, talking animals, cheerful tourists, quirky locals, and timeless “natives” (in the language of

Shortly after the Grand Canyon became a national park in 1919, commercial artists began mapping the region for tourist audiences. Beginning around 1930, many of these maps used a cartoon style, populating the landscape with natural wonders, talking animals, cheerful tourists, quirky locals, and timeless “natives” (in the language of their day). These illustrated maps facilitated only the most basic navigational tasks, but they performed a great deal of work as cultural narratives, shaping viewers’ concepts and expectations of the Grand Canyon as a tourism destination. From reinforcing a standardized menu of iconic sites to perpetuating popular mythologies of indigenous culture, cartoon maps dealt in stereotypes. Yet they also offered a surprising level of detail and most were based in careful research. Several of the artists who made cartoon maps of the Grand Canyon were well-known as commercial cartographic illustrators, including Ruth Taylor White, Jo Mora, and Arizona Highways art director George Avey. They brought their own signature styles to a geographic region made famous by John Wesley Powell’s 1869 expedition and the Fred Harvey Company’s popular tours. “Cartoon Maps of Canyonland” showcases the rich visual history of mapping the Grand Canyon for tourists and unpacks the complex, evolving stories told by these engaging but imperfect maps.
ContributorsGriffin, Dori (Author, Speaker)
Created2019-03-01