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- Member of: DeMars, James
- Member of: Leket-Mor, Rachel
- Member of: ASU Library Collection

Academic libraries seek to engage people with information resources and maximize use of library spaces. When users increasingly rely on digital rather than print resources, libraries respond by shifting space usage from stacks to user working and reading spaces. How then do we, as academic library professionals, best keep print collections on public view and maximize user engagement?
In this whitepaper, we focus on fostering engagement with print resources among\nlibrary users, particularly with open stack print collections and users within the local community. We advocate moving toward a more flexible, more user-focused service that makes library collections easier to understand and to use. Libraries need to work with their surrounding communities in the further development and presentation of their collections. We offer a flexible, a la carte approach to transforming open stack academic library print collection management. We have developed a three-tiered system of potential approaches and actions for academic libraries to foster engagement with their collections. We also include materials and tools to help guide individual libraries towards a data-driven approach to print curation that may be tailored to their local context. We hope that these approaches and tools aid academic libraries in helping users engage in meaningful dialogues with print resources.
As part of a $50,000 planning grant from the Andrew W. Mellon Foundation, the analysis is aimed at fostering engagement with print resources among library users, particularly with open stack print collections and users within the local community. "The Future of the Academic Library Print Collection: A Space for Engagement" explores a three-tiered system of potential approaches and actions for academic libraries to foster engagement with their collections, and includes materials and tools to help guide individual libraries towards a data-driven approach to print curation that may be tailored to their local context.
Dedicaçe (5’) for Cello and Piano premiered by Alexandre Debrus and the composer in Biarritz, France.
Arias for Brass Quintet (12’) commissioned and premiered by the St. Louis Brass Quintet.
Kokopelli Songs, nine songs for baritone and piano, commissioned by Art Renaissance Initiative, premiered by Stephen Schermitzler and the composer.
Neon Babylon (12') for saxophone quartet performed by the Joseph Wytko Saxophone Quartet.
Tapestry X (8’) for Tuba Quartet
Desert Songs (22') six songs for soprano, cello, alto saxophone, piano and percussion performed by Beverly Claflin and the Tos ensemble.
Four Songs of Love (from the sonnets of W.S.) (14’) for tenor (or high baritone) and piano.
Native Drumming (25') a concerto for Native American pow-wow singers and orchestra performed by the Black Lodge Singers and the Phoenix Symphony conducted by Clotilde Otranto.
Crow Wing (5') for saxophone and cedar flute performed by Michael Hester and R. Carlos Nakai.