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- Member of: DeMars, James
- Member of: Journal of Surrealism and the Americas (JSA)
- Member of: MLFC Learning Futures Collaborative Collection
The Journal of Surrealism and the Americas: Vol. 12 No. 1 (2021) - Table of Contents
"Introduction, Special Issue on Fashion" by Jennifer R. Cohen, Michael Stone-Richards, pp. 1-5
"Fashion in the Formative Years of Parisian Surrealism: The Dress of Time, the Dress of Space" by Krzysztof Fijalkowski, pp. 6-32
"Surrealist Shop Windows: Marketing Breton’s Surrealism in Wartime New York" by Jennifer R. Cohen, pp. 33-59
"Object Study: Binding Saint Glinglin" by Jenny Harris, pp. 60-77
"‘Always for Pleasure’: Chicago Surrealism and Fashion, An Interview with Penelope Rosemont" by Abigail Susik, pp. 78-92
"Sade for the Brave and Open-Minded: Review of Alyce Mahon, The Marquis de Sade and the Avant-Garde" by Joyce Cheng, pp. 93-99
"Review of Henri Behar, Potlatch, André Breton ou la cérémonie du don" by Pierre Taminiaux, pp. 100-103
Dedicaçe (5’) for Cello and Piano premiered by Alexandre Debrus and the composer in Biarritz, France.
Arias for Brass Quintet (12’) commissioned and premiered by the St. Louis Brass Quintet.
Kokopelli Songs, nine songs for baritone and piano, commissioned by Art Renaissance Initiative, premiered by Stephen Schermitzler and the composer.
Neon Babylon (12') for saxophone quartet performed by the Joseph Wytko Saxophone Quartet.
Tapestry X (8’) for Tuba Quartet
Desert Songs (22') six songs for soprano, cello, alto saxophone, piano and percussion performed by Beverly Claflin and the Tos ensemble.
Four Songs of Love (from the sonnets of W.S.) (14’) for tenor (or high baritone) and piano.
Native Drumming (25') a concerto for Native American pow-wow singers and orchestra performed by the Black Lodge Singers and the Phoenix Symphony conducted by Clotilde Otranto.
Crow Wing (5') for saxophone and cedar flute performed by Michael Hester and R. Carlos Nakai.