Spring 2019 Course: Art and Sensory Acuity (taught by Christine Lee)

For the course Art and Sensory Acuity, we looked at how our perception and ability to experience a range of sensation can inform the creation of artistic and design based work. We explored perception through the lens of artist James Turrell’s Roden Crater, under which specific materials, environment, and conditions present, shaped our sensory experience. Concurrently we expanded our sensory acuity through engagement with guest speakers ASU Assoc. Professor Patrick Young and Assist. Professor Christy Spackman, Ed Krupp Director of Griffith Observatory, and writer Lawrence Weschler, to develop a deeper sensibility across media, time and space. The resulting sculptural forms/prototypes, performance, and installations were designed and constructed in response to the collective experience.

Mixed media.

Spring 2019 Course: Indigenous Stories and Sky Science (taught by Wanda Dalla Costa)

Roden Crater is situated in the territorial homelands of at least eight Arizona tribes. To honor local history and the continued practice of Indigenous sky science in the southwest, the field lab Indigenous Stories and Sky Science will view the Crater through the lens of Indigeneity. The students, who went on a five-day journey to Navajo Nation and the Hopi Tribe, meeting locals, interacting with place and touring sites of sky observation, shared their experience using the four knowledges of community resilience: empirical, traditional, revealed and contemporary (From Johnson, et al. (2015). Weaving Indigenous and sustainability sciences to diversify our methods).

Mixed media.

Spring 2019 Course: Indigenous Stories and Sky Science (taught by Wanda Dalla Costa)

Roden Crater is situated in the territorial homelands of at least eight Arizona tribes. To honor local history and the continued practice of Indigenous sky science in the southwest, the field lab Indigenous Stories and Sky Science will view the Crater through the lens of Indigeneity. The students, who went on a five-day journey to Navajo Nation and the Hopi Tribe, meeting locals, interacting with place and touring sites of sky observation, shared their experience using the four knowledges of community resilience: empirical, traditional, revealed and contemporary (From Johnson, et al. (2015). Weaving Indigenous and sustainability sciences to diversify our methods).

Collected fallen palo verde blossoms.

Spring 2019 Course: Art and Sensory Acuity (taught by Christine Lee)

For the course Art and Sensory Acuity, we looked at how our perception and ability to experience a range of sensation can inform the creation of artistic and design based work. We explored perception through the lens of artist James Turrell’s Roden Crater, under which specific materials, environment, and conditions present, shaped our sensory experience. Concurrently we expanded our sensory acuity through engagement with guest speakers ASU Assoc. Professor Patrick Young and Assist. Professor Christy Spackman, Ed Krupp Director of Griffith Observatory, and writer Lawrence Weschler, to develop a deeper sensibility across media, time and space. The resulting sculptural forms/prototypes, performance, and installations were designed and constructed in response to the collective experience.

Spring 2019 Course: Indigenous Stories and Sky Science (taught by Wanda Dalla Costa)

Roden Crater is situated in the territorial homelands of at least eight Arizona tribes. To honor local history and the continued practice of Indigenous sky science in the southwest, the field lab Indigenous Stories and Sky Science will view the Crater through the lens of Indigeneity. The students, who went on a five-day journey to Navajo Nation and the Hopi Tribe, meeting locals, interacting with place and touring sites of sky observation, shared their experience using the four knowledges of community resilience: empirical, traditional, revealed and contemporary (From Johnson, et al. (2015). Weaving Indigenous and sustainability sciences to diversify our methods).

Current educational systems are trying to transform their practices with those that align with critical thinking skills, collaboration amongst students and allowing students to feel motivated and engaged in learning. Within a special education classroom at a Title I high school located in South Tempe, Arizona, a design was innovated in order to attempt to enhance this learning environment to foster students’ ability to build intrinsic motivation and engaged within their classroom through collaboration and the autonomy supported by the teacher and this innovation. Throughout this paper, you will be able to see the contextual analysis, theoretical inspirations, design constructs and analysis of the implementation within two separate class periods.

This paper is the culmination of a fifteen-week design study in partnership with a high school teacher to utilize design thinking in a classroom context. A procedure for guiding the educator through the design process was developed and implemented to gain understandings into whether incorporating design thinking in a classroom context would enhance educators problem-solving abilities and empower them to effectively tackle complex problems. The findings suggest that design thinking is a powerful tool for educator’s and can have a positive impact on their classroom environment, though continued support is key. The paper begins with a situation analysis report to discuss the mission of the partner organization, as well as goals and expectations of the study. It continues with the theoretical inspiration statement which articulates the theoretical underpinnings of the study. Then, the design statement and prototype describe the outline of the procedures developed to guide the collaborating teacher through the design process. The paper concludes with the design enactment report which includes a narrative of the process and details the findings.