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Katsuma Dan reflects on his first meeting with Dr. Victor Heilbrunn at the University of Pennsylvania in December 1930. Recorded at the University of Washington, Friday Harbor group in 1978.
By the 1930s, the MBL had become "the" place to go during the summer for biological research and training. Luminaries such as Frank Lillie, Edmund Beecher Wilson, Edwin Grant Conklin, and Thomas Hunt Morgan took their students, packed up their families and research labs, and headed to the MBL. They worked in labs, ate together in the Mess, and they often lived in the limited on-campus housing. Life at the MBL was a life where fun, family, and science intertwined. This film, taken in 1935 by B. R. Coonfield of Brooklyn College, captures snippets of life at the MBL. Though the science and equipment are considerably updated and the faces and families have changed, many features remain the same today.
Using improv comedy skills to entertain students and keep their attention.
Conference presentation on helping international students avoid plagiarism.
Phoebus 6, Number 1: A Journal of Art History - Table of Contents
“Preface” p. 7-8.
“The Time of Qianlong (1736-1795)” by Wen Fong, p. 9-16.
“The Intellectual Climate in Eighteenth-century China: Glimpses of Beijing, Suzhou, and Yangzhou in the Qianlong Period” by Frederick Mote, p. 17-55.
“The Qianlong Emperor’s Skill in the Connoisseurship of Chinese Painting” by Kohara Hironobu, p. 56-73.
“An Overview of Stylistic Development in the Qianlong Painting Academy” by She Cheng, p. 74-90.
“Document and Portrait: the Southern Tour Paintings of Kangxi and Qianlong” by Maxwell Hearn, p. 91-131.
“Tangdai: A Biographical Sketch” by Ju-hsi Chou, p. 132-140.
“For the Love of God: Castiglione at the Qing Imperial Court” by Howard Rogers, p. 141-160.
“Approaches to Painting at the Qianlong Court” by Claudia Brown, p. 163-168.
“Notes” p. 169-198.
Phoebus 6, Number 2: A Journal of Art History - Table of Contents
“Preface” p. 207.
“Figure, Fiction, and Figment in Eighteenth-century Chinese Painting” by Richard Vinograd, p. 209-227.
“Yuan Jiang: Image Maker” by Alfreda Murck, p. 228-260.
“Zheng Xie's Price List: Painting as a Source of Income in Yangzhou” by Ginger Cheng-chi Hsü, p. 261-271.
“Jin Nong: The Eccentric Painter with a Wintry Heart” by Marshall P. S. Wu, p. 272-294.
“An Overview of Li Jian’s Painting” by Christina Chu, p. 295-315.
“Eighteenth-century Foundations in Modern Chinese Painting” by Chu-tsing Li, p. 316-327.
“Rubric and Art History: The Case of the Eight Eccentrics in Yangzhou” by Ju-hsi Chou, p. 329-350.
“Notes” p. 351-379.
“Glossary” p. 381-391.
“Index” p. 393-418
Phoebus 7: A Journal of Art History - Table of Contents
“Preface” by Emily Umberger and Tom Cummins, p. 9-13.
“Synthesis and Survival: The Native Presence in Sixteenth-century Murals of New Spain” by Jeanette Favrot Peterson, p. 14-35.
“Adaptation and Accommodation: The Transformation of the Pictorial Text in Sahagun's Manuscripts” by Ellen T. Baird, p. 36-51.
“The Madonna and the Horse: Becoming Colonial in New Spain and Peru” by Tom Cummins, p. 52-83.
“Colonial Visions: Drama, Art, and Legitimation in Peru and Ecuador” by Carlos Espinoza, p. 84-106.
“Who's Naughty and Nice: Childish Behavior in the Paintings of Cuzco's Corpus Christi Procession” by Carolyn S. Dean, p. 107-126.