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The African-American community has played a historically significant role in the advancement of Arizona and our region. The future success of our state relies on our ability to strengthen our communities and empower them to meet and exceed their vast potential. This project between the community and the University was undertaken to help advance a better understanding of the changing dynamics of Arizona’s African-American population and the critical issues that require our collective attention in terms of education, health care, the economy, culture and leadership.



Phoebus 6, Number 1: A Journal of Art History - Table of Contents
“Preface” p. 7-8.
“The Time of Qianlong (1736-1795)” by Wen Fong, p. 9-16.
“The Intellectual Climate in Eighteenth-century China: Glimpses of Beijing, Suzhou, and Yangzhou in the Qianlong Period” by Frederick Mote, p. 17-55.
“The Qianlong Emperor’s Skill in the Connoisseurship of Chinese Painting” by Kohara Hironobu, p. 56-73.
“An Overview of Stylistic Development in the Qianlong Painting Academy” by She Cheng, p. 74-90.
“Document and Portrait: the Southern Tour Paintings of Kangxi and Qianlong” by Maxwell Hearn, p. 91-131.
“Tangdai: A Biographical Sketch” by Ju-hsi Chou, p. 132-140.
“For the Love of God: Castiglione at the Qing Imperial Court” by Howard Rogers, p. 141-160.
“Approaches to Painting at the Qianlong Court” by Claudia Brown, p. 163-168.
“Notes” p. 169-198.
Phoebus 6, Number 2: A Journal of Art History - Table of Contents
“Preface” p. 207.
“Figure, Fiction, and Figment in Eighteenth-century Chinese Painting” by Richard Vinograd, p. 209-227.
“Yuan Jiang: Image Maker” by Alfreda Murck, p. 228-260.
“Zheng Xie's Price List: Painting as a Source of Income in Yangzhou” by Ginger Cheng-chi Hsü, p. 261-271.
“Jin Nong: The Eccentric Painter with a Wintry Heart” by Marshall P. S. Wu, p. 272-294.
“An Overview of Li Jian’s Painting” by Christina Chu, p. 295-315.
“Eighteenth-century Foundations in Modern Chinese Painting” by Chu-tsing Li, p. 316-327.
“Rubric and Art History: The Case of the Eight Eccentrics in Yangzhou” by Ju-hsi Chou, p. 329-350.
“Notes” p. 351-379.
“Glossary” p. 381-391.
“Index” p. 393-418
Phoebus 7: A Journal of Art History - Table of Contents
“Preface” by Emily Umberger and Tom Cummins, p. 9-13.
“Synthesis and Survival: The Native Presence in Sixteenth-century Murals of New Spain” by Jeanette Favrot Peterson, p. 14-35.
“Adaptation and Accommodation: The Transformation of the Pictorial Text in Sahagun's Manuscripts” by Ellen T. Baird, p. 36-51.
“The Madonna and the Horse: Becoming Colonial in New Spain and Peru” by Tom Cummins, p. 52-83.
“Colonial Visions: Drama, Art, and Legitimation in Peru and Ecuador” by Carlos Espinoza, p. 84-106.
“Who's Naughty and Nice: Childish Behavior in the Paintings of Cuzco's Corpus Christi Procession” by Carolyn S. Dean, p. 107-126.
Phoebus 8: A Journal of Art History - Table of Contents
“Preface” by Ju-hsi Chou, p. 9-10.
“The Significance of the Nineteenth Century for Modern Chinese History” by Stephen R. Mackinnon, p. 11-17.
“Looking at Late Qing Painting with New Eyes” by Chu-Tsing Li, p. 18-37.
“Qian Du to Zhang Jing: The Artist and the Patron” by Ju-hsi Chou, p. 38-66.
“Zhou Xian's Fabulous Construct: The Thatched Cottage of Fan Lake” by Britta Erickson, p. 67-93.
“A Forgotten Celebrity: Wang Zhen (1867-1938), Businessman, Philanthropist, and Artist” by Hsing-yuan Tsao, p. 94-109.
“Satire and Situation: Images of the Artist in Late Nineteenth-Century China” by Richard Vinograd, p. 110-133.
“Painters and Publishing in Late Nineteenth-century Shanghai” by Jonathan Hay, p. 134-188.
“Calligraphy at the Close of the Chinese Empire” by Lothar Ledderose, p. 189-207.
“Glossary of Chinese Names and Terms” p. 211-219